All Ambrogio Lorenzetti Oil Paintings

Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.
 

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Ambrogio Lorenzetti Birth of the Virgin oil on canvas


Birth of the Virgin
Birth of the Virgin
Painting ID::  40149
  mk156 1342 Tempera on panel 188x183cm
  mk156 1342 Tempera on panel 188x183cm

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Ambrogio Lorenzetti Allegory of the peace oil on canvas


Allegory of the peace
Allegory of the peace
Painting ID::  42611
  MK169 1339 Fresco Palazzo Pubblico Siena
  MK169 1339 Fresco Palazzo Pubblico Siena

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Ambrogio Lorenzetti Allegory of the Good Government oil on canvas


Allegory of the Good Government
Allegory of the Good Government
Painting ID::  52132
  1338-40 Fresco Palazzo Pubblico
  1338-40 Fresco Palazzo Pubblico

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Ambrogio Lorenzetti Allegory of the Good Government oil on canvas


Allegory of the Good Government
Allegory of the Good Government
Painting ID::  52133
  1338-40
  1338-40

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Ambrogio Lorenzetti Madonna and Child with Mary Magdalene and St Dorothea oil on canvas


Madonna and Child with Mary Magdalene and St Dorothea
Madonna and Child with Mary Magdalene and St Dorothea
Painting ID::  52134
  c. 1325 Wood, 90 x 53 cm
  c. 1325 Wood, 90 x 53 cm

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     Ambrogio Lorenzetti
     Italian Byzantine Style Painter, ca.1290-1348 Ambrogio Lorenzetti (or Ambruogio Laurati; c. 1290 ?C June 9, 1348) was an Italian painter of the Sienese school. He was active between approximately from 1317 to 1348. His elder brother was the painter Pietro Lorenzetti. His work shows the influence of Simone Martini, although more naturalistic. The earliest dated work of the Sienese painter is a Madonna and Child (1319, Museo Diocesano, San Casciano). His presence was documented in Florentine up until 1321. He would return there after spending a number of years in Siena. The frescoes on the walls of the Hall of the Nine (Sala dei Nove) or Hall of the Peace (Sala della Pace) in the Palazzo Pubblico of Siena are one of the masterworks of early renaissance secular painting. The "nine" was the oligarchal assembly of guild and monetary interests that governed the republic. Three walls are painted with frescoes consisting of a large assembly of allegorical figures of virtues in the Allegory of Good Government . In the other two facing panels, Ambrogio weaves panoramic visions of Effects of Good Government on Town and Country, and Allegory of Bad Government and its Effects on Town and Country (also called "Ill-governed Town and Country"). The better preserved "well-governed town and country" is an unrivaled pictorial encyclopedia of incidents in a peaceful medieval "borgo" and countryside. The first evidence of the existence of the hourglass can be found in one of his paintings. Like his brother, he is believed to have died of bubonic plague 1348. Giorgio Vasari includes a biography of Lorenzetti in his Lives.

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